◑ Procés analògic ◈ Processos alternatius Intermedi

Wineol: develop with red wine

A developer made with red wine, washing soda, vitamin C and salt.

Take a bottle of cheap red wine, add washing soda, vitamin C and salt, and use it to develop a roll of film. It works. The results are unpredictable. But that's exactly the point.

⚠️ Important notice: this is a highly experimental workshop

Wineol is not a stable or predictable developer. Unlike Caffenol — which gives consistent results with the same recipe — Wineol depends on many variables that are hard to control: the type of wine, its tannin content, sulphites, alcohol level, and even the batch and vintage. Two rolls developed with two “identical” wines can give radically different results. I have run experiments using exactly the same wine, temperature and chemical quantities, and the first time came out beautifully — the second time, a disaster.

Come to the workshop ready to experiment and to accept that the outcome might be a magnificent negative or a barely-readable one. Both are equally valuable as learning experiences.

A bottle of wine and pharmacy chemistry

Wineol works on the same principle as Caffenol: the tannins in red wine act as reducing agents, converting the silver halides in the emulsion into visible metallic silver. Washing soda raises the pH and activates the reaction; vitamin C boosts it and reduces fog; salt acts as a mild stabiliser.

The difference from Caffenol is that wine completely replaces water — it doesn’t mix in, it takes over. This makes the concentration of tannins and alcohol highly variable, and the process less controllable but far more interesting.

Wineol — preparing the developer Wineol — result on negative

The recipe

For a standard 35mm tank (500 ml):

  • 500 ml red wine — cheap, but with body and tannins (grenache, tempranillo, monastrell)
  • 54 g washing soda — not to be confused with caustic soda
  • 16 g vitamin C — pure ascorbic acid, from a pharmacy
  • 10 g common salt

Key content

  • Chemistry of Wineol: why tannins develop film and why results vary so much
  • Choosing the wine: which wines work and which don’t, and why
  • Developer preparation: cold dissolution, no resting needed
  • Full process: development at 22 °C for 20 minutes, specific agitation with 4 taps for bubbles
  • Rinsing, fixing and extended final wash (12 minutes)
  • Reading the resulting negative: density, grain and characteristic violet tones
  • Colour scanning: to bring out the warm and purple tones the wine creates

Included in the price

  • Red wine (one bottle shared among participants)
  • Washing soda, vitamin C and salt
  • Use of developing tank, reel and changing bag
  • Fixer and washing chemicals
  • Use of the scanner for the final check
  • Refreshments (and a glass of wine from whatever’s left in the bottle after developing)

What to bring

  • A 35mm B&W roll, already shot (ISO 400 recommended — HP5, Tri-X or Fomapan 400)

Not included

  • The 35mm roll — it must be yours and already exposed. You can buy one at Llumàtics (€12).
  • Full roll scanning (available as an add-on to the Digitisation workshop or as a tutorial from €20)

Want to do all three organic developers in one session? Caffenol, Guinneol and Wineol can be combined into a 4-hour session. Write to us and we’ll organise it.

Workshop details

Objective
Prepare and use the Wineol developer, understand how its components affect the negative, and learn to read and scan the results.
Methodology
Full lab process: developer preparation, developing a 35mm roll at 22°C for 20 minutes, rinsing, fixing and a first scan check.
Outcome
A 35mm roll developed with Wineol, legible negatives —or as legible as the process allows— and a practical understanding of how an unpredictable organic developer transforms the photographic result.
Prerequisites
Recommended to know how to develop B&W film independently. Not essential, but the workshop runs faster if you already know the basic process.
Who it's for
Analogue photographers curious about chemical experimentation. Those who want to explore the limits of the photographic process — and accept that results will not always be perfect.

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